Working with Click Tracks for Drummers

The aim of this page is to help you develop confidence in working with click tracks, so that you can use them to your advantage. By persevering your general time-keeping will also improve.

The term 'click track' often strikes fear in many musicians, especially drummers.

WHY?

Usually through a lack of experience.

Forget excuses such as:

"It will stifle my creativity"
"It makes the music too rigid"
"The music will sound clinical"

Most of today’s top drummers have mastered the art of working with a click track and their 'feel' remains excellent.

You will almost certainly encounter 'the click' during your drumming career. So let's take a brief look at

What is a Click
Practising with a Click

so that you can be comfortable with them and know how to use them.

What is a Click?

A click is a constant pulse, beat or rhythm generated by a metronome, rhythm box or other source which enables musicians to stay at a chosen speed (tempo).

A click may also be programmed to maintain a chosen tempo increase throughout a piece of music.

Clicks are especially valuable in helping musicians to develop their 'internal clock/internal metronome', thus enhancing their general time-keeping when a click is not in use.

Practising with a Click

Below are some ideas on how to use a click as part of an effective practice routine. As always this list is NOT an exhaustive one, and specific tutors (books, videos and tapes) on practice technique will provide you with lots more ideas.

If you use a purpose-built practice kit, a normal metronome or electronic click/rhythm generator is sufficient. A 'visual click' e.g., flashing light or LCD on the metronome, is an alternative which develops visual skills and 'staying in time with what you see'.

When practicing using drums and cymbals, the use of an electronic sound source with headphone outputs is recommended. You can then use headphones/earphones to monitor (hear) the click. Alternatively, use a visual metronome. A mechanical metronome, such as the one shown, provides a good visual reference (but beware, their timing can go rather  random and 'swingy' as the spring winds down!).

WARNING: When monitoring a click using headphones/earphones ALWAYS set the level (volume) of the click in your headphones at the MINIMUM possible to reduce the risk of permanent damage to your hearing.

The following exercises are a guide to practice.

BE PATIENT and PERSEVERE. It may take you days, weeks, months or even years to become really comfortable and competent at working with a click and using it to your advantage.

Try using the following approach when practicing.

a. Start the exercises with only your right hand
b. Switch to using your left hand
c. Repeat using both hands, practicing various rudiments
d. Once comfortable with your hands, start to work on your bass drum foot
e. Move on to your hi-hat foot
f. Then work on hand-foot co-ordination for rhythms and for 'breaks'.

Focus on where the strokes that you play fall relative to the click.

1. Start the click at about 100 beats per minute (bpm).
2. Play one drum stroke on each click of the metronome.
3. Listen carefully to where your strokes fall RELATIVE to the click (see image below)
4. • Are they EARLIER than the click ('BEFORE THE BEAT')?
   • Are they exactly on the click ('ON THE BEAT')?
   • Are they LATER than the click ('BEHIND THE BEAT')?
5. At first that your strokes may not fall consistently in the same place. You may also find that your 'weaker' hand/foot plays in a different place relative to the click compared with your 'stronger' hand/foot.
6. First, aim to get each stroke CONSISTENTLY 'on' the click.
7. Then aim to get each stroke CONSISTENTLY 'before' the click.
8. Then aim to get each stroke CONSISTENTLY' after' the click.
   
   Click on the picture below to see a diagram of this.

Playing with a Click

Relax whilst playing so that you can begin to concentrate on where your strokes are falling relative to the beat.

Notice whether you are speeding-up or slowing down and adjust your playing to maintain a constant speed.

It may take you 5, 10 or 15 minutes, or longer at the beginning of a practice session to 'settle down' into playing with the click. DON'T WORRY ABOUT THIS; the time WILL get less as you become more experienced.

KEEP WORKING AT IT, you WILL get there in the end.

Once you are comfortable with 100 bpm, speed the click up to 120 bpm and repeat the above exercises.

You may then like to increase the speed still further.

HOWEVER, the more difficult exercises are at SLOW tempos (below 80 bpm). Try taking the click down to 80, 70, 60, 50 and even 40 bpm if your click will go that slowly.

REMEMBER: The aim is to become a more ‘all-round’ player so that you are comfortable and accurate, and can play with a good ‘feel’ at SLOWER speeds, as well at higher speeds.

As you become more relaxed you WILL be able to inject more feeling into your playing.

For a bit of ‘fun’ you might like to try the following:

• Play along to a click until you're comfortable
• Switch the click off whilst keeping playing
• Switch the click back on again and see where you are relative to the click.

HINT: Perseverance with click tracks WILL improve all areas of your time- keeping and playing, and make you a highly sought-after musician.

Return to Top of Page

Return to Drums Page

Return to Drums & Percussion Page

Questions   Feedback   Contact Us   Confidentiality   Home Page

Terms & Conditions     Returns & Cancellation Policy

Copyright © 1998-2017 Waywood Music
Waywood Music is a trading name of Waywood Enterprises Limited
31 Burder Street Loughborough LE11 1JH UK
Tel/Fax:  UK + (0) 1509 553362
Registered in England & Wales
Company Registration Number: 6455974
e-mail: contact@waywood.com

Please respect Copyright law.

Web site designed and constructed by Stuart